this is the title

This is the process of describing a thrice-daily perambulation along a specific grid-like configuration of streets and alleyways. It’s the beginning and the end all at once with the middle excised for brevity’s sake. Words are fit together to form a compelling narrative designed to exaggerate the significance of this chain of events. Through the use of a complex algorithm, details from thousands of similar perambulations have been extracted and connected to form a generic description suitable to represent the ongoing series.

Turning a corner there appears a panoramic view of downtown. One day there will be two more buildings on this block instead of a field, obscuring the view and evicting the red-winged blackbirds whose raucous calls now punctuate this observation. No more will the barn swallows arc with precision above the grass, soaring overhead and below knees. The city is a gaping mouth fitted with concrete teeth and asphalt tongue. All open space is in flux, available for negotiation by any wealthy interested parties.

Navigate another leftward right angle turn to complete the rectangular route. Arrive at the correct set of concrete steps leading up. Note the foul mess at the nest box opening left by the fledged house wren brood. Ants move in to investigate. In the garden coneflower blooms open. On the arched trellis coral honeysuckle buds battle to stay ahead of the aphids. Manual removal of the latter seems to be aiding the fight. Along the second level railing the gold dust plant exhibits the lush results of another vigorous growth spurt. Looking around, all appears to be in the usual foliar disarray. Now climb the steps, open the door, shut and lock it.

This is the conclusion of what was begun in the first paragraph. It serves to tie up any loose ends and bring the narrative to a satisfactory close. No new information is introduced so as to avoid confusing the reader, thus preventing any lingering uncertainty as to the nature of what has been heretofore presented. Thus, to be accurate, the true ending occurred with the period following the phrase ‘lock it,’ meaning one could actually stop reading there and not suffer any ill effects.

catbird chatter

I returned early this morning from a work-related trip to San Francisco (photo post to follow). While I was gone, the catbirds skulked back into the neighborhood and resumed transmission of their esoteric messages from the protection of the now fully leafed out trees and shrubbery. I am happy to hear their secretive broadcasts once again. While out walking Farley, I also heard a House Wren singing on the next street over and a Yellow Warbler singing a little farther afield. Word on the street is that I missed a couple of stellar days of migrant fallouts in this area while I was gone. So I’m a little disappointed about that, although I did manage to pick up a few Western North American species on my trip that were lifers. On multiple occasions, I also saw and heard some of the Wild Parrots of Telegraph Hill, which was really cool as I’d watched the documentary about them not too long ago.

For my trip reading, I took along Anne Tyler’s Celestial Navigation. I like most of her older books and Em El particularly recommended this one. It did not disappoint! I finished up the last few pages over lunch today and was struck by this passage below. It’s certainly not cheery reading, but much of what I read and enjoy is not. For me, it’s all about the shadows.

Being good was not enough. The mistakes he reviewed were not evil deeds but errors of aimlessness, passivity, an echoing internal silence. And when he rose in the morning (having waited out the night, watching each layer of darkness lift slowly and painfully), he was desperate with the need to repair all he had done, but the only repairs he could think of were also aimless, passive, silent. He had a vague longing to undertake some metaphysical task, to make some pilgrimage. In books a pilgrimage would pass through a fairytale landscape of round green hills and nameless rivers and pathless forests. He knew of no such landscape in America. Fellow pilgrims in leather and burlap would travel alongside him only long enough to tell their stories—clear narratives with beginnings, middles, ends and moral messages, uncluttered by detail—but where would he find anyone of that description? And think of what he would have to carry in the rustic knapsack on his back. The tools of his craft; Epoxy glue in two squeeze tubes, spray varnish, electric sander, disposable paintbrushes. Wasn’t there anything in the world that was large scale any more? Wasn’t there anything to lift him out of this stillness inside? He fumbled for his clothes and picked his way downstairs. He made his breakfast toast and ate it absently, chewing each mouthful twenty times and gazing at the toaster while he tried to find just one heroic undertaking that he could aim his life toward.

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