bob sloth’s one-man show

Vinyl siding salesman Bob Sloth was starring in a nowhere-near-Broadway production of a play he’d written called ‘My Life Feels Like a One-Man Show.’ One night he wasn’t feeling well enough to go on so he called his understudy, also named Bob, better known as Bob the Sloth, for he was indeed an actual sloth. Bob the Sloth (or BTS, for short) had been waiting for (and dreading) this call ever since he first agreed to help Bob out. He answered the phone is his usual slow manner.

Hello, Bob speaking.

Bob, this is Bob.

Oh, hi.

Look, I’m not feeling myself today, so I need you to play me in the show tonight.

Uh, okay, sure…

C’mon, man, I need you to muster some enthusiasm. I need you to convince me you can play me. That you can be Bob.

Well, I am Bob.

I know, I know. But you’re Bob the Sloth. I need to know you can be Bob Sloth.

I can do it, man. I won’t let you down.

Great! I’m glad to hear it. Break a leg tonight.

BTS hung up the phone with a heavy sigh. It had taken all of his remaining energy to convince Bob he could do a good job. Consequently, he decided that a nap was in order. A nap would replenish his energy and he would still have plenty of time to practice his lines and get down to the theatre. The theatre was in the town of Largest, not to be confused with Largesse, which is the town where both he and Bob lived.

While BTS took his nap he dreamed of his ancestral birthplace—the Land of the Sloths. It was a pleasant dream and he awoke with a tinge of sadness that it was now over. To sweep this feeling away, he rehearsed his lines for the play.

Hi, I’m Bob, he intoned. But the intonation was off. That was not how Bob spoke at all. BTS went through a few more lines—all of them fell flat. He grew discouraged and soon fell asleep curled in a ball on the floor.

When he woke up it was late. He only just had time to get dressed before he had to rush out the door and hustle down to the theatre. From behind the curtain he stared out at the audience. It was a big crowd. The word had spread about Bob’s show and the reviews were good. ‘Bob really nails the role’ screamed the headline on this week’s issue of Variety. The review goes on to rave about how it almost seemed as if Bob was born to play this role. ‘The most genuine performance we’ve ever seen from Bob Sloth,’ it triumphantly concluded. Well, thought BTS, those people out there won’t be seeing Bob Sloth tonight. They are stuck with me. So here goes nothing.

It’s really best not to belabor the specifics of what happened next. Suffice it to say, BTS did not kill it. In fact he was booed off the stage. He couldn’t remember any of the lines, for he had not learned a single one of them.

The next day Bob Sloth called up his understudy but there was no answer. He’d heard the reviews and wanted to make sure BTS was holding up okay. After trying him a few more times he went down to the theatre for rehearsal. On stage practicing his lines he heard a faint snoring sound coming from below his feet. He peeked down into the orchestra pit and there was Bob the Sloth sound asleep, curled in a ball on the floor.

Bob…Bob!!

Hnrrh??

Bob, wake up. It’s me.

Oh, hi Bob.

Look, man, I know things didn’t go well last night, but I just want you to know that it’s okay. You’re not me, I get it. So how can you be expected to play me in my own one-man show?

Well, I didn’t want to let you down, Bob. No one ever asks me to do anything responsible like this, so I felt like I couldn’t say no, like it was a big opportunity for me. And then I blew it.

Don’t worry about it. Tell you what—let’s go and get some ice cream. I bet that’ll make you feel better.

Thanks, Bob. That sounds real nice.

On the way out the door, BTS turned back and looked down at the stage. Maybe one day I’ll have my own one-man show, he thought. If I ever do, I think I’ll call it, ‘My Life Feels like Bob Sloth’s One-Man Show.’

field report: bridges

For once the speakers outside Hard Rock Cafe are playing a song I want to hear so I stand leaning against the bricks and listen to the lengthy bridge from ‘How Soon Is Now?’ It’s the part of the song I have always particularly loved. Just as Morrissey starts to sing for the last time ‘I am human and I need to be loved’ a generic man in fancy slacks and blazer walks by mouthing the words. The song fades out and I walk to the suspension bridge that always buckles in the wind. As I reach the bridge a man visibly down on his luck addresses me. He asks me if there is a mission where he and his wife can get a hot meal and I tell him there is one on the Fallsway. He replies that it’s closed. So I say there’s also one on Gay Street. He responds that it too is closed. I have no money with me so I tell him I can’t help him and wish him luck. He says nothing and turns away. I continue across the bridge and then I walk across the map of the Chesapeake Bay Watershed, sometimes cordoned off and sometimes not, that is etched into stone in front of the fish prison. I make a halfhearted attempt to look for birds in the habitat islands but I feel like I have experienced way too much in the past few minutes so I return to the office and read a few more pages of Konwicki.

at the border of writing

It was almost easy for him, there where he lived, to live almost without a sign, almost without a self, as if at the border of writing; close to this word, barely a word, rather a word too many, and in that nothing but a word from which, one day in the past, gently welcomed, he had received the salute that did not save, the summons that had awakened him. That could be told, even if, and especially if, nobody were there to hear it.

Maurice Blanchot, The Step Not Beyond [translated by Lycette Nelson]

the awareness of vytrox

Suddenly Vytrox felt aware that he was having an experience. This awareness soon grew to such outrageous proportions that it began to seriously impede his enjoyment of the experience. With growing alarm Zonitor now sensed Vytrox’s awareness of their shared experience and subsequently also felt a significant reduction in enjoyment of the experience. Vytrox looked at Zonitor and knew immediately that their experience had been compromised. Zonitor returned Vytrox’s gaze and instantly saw this realization in his eyes.

To recap: they now both knew and also knew that the other knew.

What do we do, cried Zonitor.

We must leave the island at once, Vytrox replied. I can’t live like this.

But we can’t. You sank the boat the other day.

Dammit. I forgot. Maybe we can fix it?

Doubtful. It’s at the bottom of the ocean.

Well, we can build a new one. You always said I’d make a good carpenter.

I may have been joking. But I’ll start gathering materials. You draw up some plans.

They set to work as the sun crested the palm trees on the summit of Mount Dessication.

[some time later]

Vytrox noticed as he was drawing up the plans that his hand was moving without accompanying thoughts occurring in his brain. As he sat back and watched, the crude form of a boat appeared on the yellowing graph paper he had saved for just such an occasion. Pleased with the result he ran out of the hut onto the beach to find Zonitor.

Zonny! Look!

But Zonitor was unimpressed and sent him back to the hut to work up a second draft.

[more time later]

The sun was now high in the sky and Zonitor was exhausted from gathering materials. Instead of waiting any longer for Vytrox to finish the plans, she expertly crafted a dugout canoe, waterproofed it with pine tar, and carved two oars. She then dragged the canoe into the surf and took it for a test run around the island.

Meanwhile in the hut Vytrox’s hand had stopped moving independent of his brain, leaving him at a serious disadvantage considering he knew next to nothing about boat design. To make matters worse his awareness of the experience of not knowing what to draw began to grow. It grew and grew and grew until Vytrox felt like his eyes would soon explode and awareness would shoot out the empty sockets in two parallel streams of hot showering sparks. He sat down and mopped his brow. Out the window of the hut he saw Zonitor paddling back and forth in a canoe. Relieved that the situation seemed to have resolved itself he rushed out of the hut.

Zonny! You did it! We’re saved!

Zonitor pulled the canoe ashore and cast a critical eye over Vytrox’s visage.

You’ve been further compromised, haven’t you.

Um…well, yes, maybe just a little bit.

What’s happening right now.

Oh, don’t be that way. Let’s just get ready to go.

He went to the hut to gather their few possessions. Zonitor stayed behind and pondered the situation. She wondered if she could ever hope to have an experience again without Vytrox’s awareness impinging on her enjoyment of it. Are they now condemned to a life of hyper-awareness suffusing everything they do together? Just exactly how far have they been compromised?

Luckily for her Vytrox knew what to do. While she was out on the beach fretting over their shared future and, to be perfectly honest, considering in the vaguest of ways whether she should not just sneak off in the canoe on her own, Vytrox was inside the hut trepanning himself. At the very moment of completion, Zonitor turned on impulse and saw a long stream of sparkly dust flowing out the window of the hut and up into the air, heading straight for the sun.

Seconds later Vytrox emerged beaming from the hut carrying their two carpet bags.

I found these bags in there, he shouted with glee, pointing unsteadily to a small grove of coconut trees located a few clicks west of the hut.

The connection was tenuous at best but Zonitor took it in stride.

Good work. I’ll take those.

She stowed the bags in the canoe as Vytrox stared at the sand, his beatific face erased of all worry lines.

Are we going somewhere?

Yes, and I think I better handle the navigation. But if I show you what to do with this paddle, do you think you can help move us through the water?

Sure! That sounds fun.

After an intensive four-hour lesson in paddling and canoe safety they were ready to leave. The full moon welcomed their sturdy craft out onto the open sea. Zonitor checked the sextant and pointed Vytrox in the right direction. She knew it wouldn’t be easy but at least now they had a chance at full immersive experience. And she was already warming up to the new Vytrox. As she watched the shadows play over his vacuous expression she knew he’d made the right decision. Shedding his awareness like an exoskeleton, Vytrox had bypassed a full compromise of their positions. She would ensure his sacrifice was not made in vain.

when spirits decide

the planchette inscribed
ovals on the board

stay or go
we had asked

a reply of stay
led to a why

ovals came back
first spelled out
then drawn
over and over and over.

spatial divide

Black sky of crows crowns mornings, bookends to nights of ferocious dream violence

[can an empty space feel occupiedbe occupiedwith no bodies present]

Jackal fear circles, breathing hidden threat-breath, by unknown summons

[can shadows of bodies, once (they have) / left, still linger, filling space once occupied]

Inside, a wavy line descends, evens out, climbs a steep peakteetersdeclines again

[two containersone infinite, one finitehold space—connecting valves open and shut to control in/voluntary flow—allowance for expansion / contraction]

Outside, surrounding spaceunbrokenlimbs recede at the height of uncertainty

(11-12.14 / 7.17)

[revised] guidance [from two years ago]

There is nothing where you are going.

What do you mean…nothing.

I mean what I say.

That means nothing.

I understand it to mean something.

I think it’s just something to say…

[shrugs]

But there are things here…around me.

Are you certain.

Yes.

Describe them.

Leaves scattered on the sidewalk. A car’s headlights flicking on in the predawn gloom. The distant whistle of a train.

And do these things have meaning to you.

I-I’m not sure.

Take a closer look.

Well, I notice them.

And what about faces—do you see faces.

They are obscured.

Do you wish to see them with more clarity—to distinguish one from another.

Perhaps.

Now it is you who are evasive.

It is in my nature.

And everything that came before—what happened between when you left and when you returned—is it now gone.

Yes, for the most part. I see only glimpses but I cannot bring it all into focus.

In those glimpses you see more than in what surrounds you now. The latter is of little consequence.

How do you know.

It does not matter. What matters is in between.

In between what.

The words.

Moment death–
each day a thousandfold.
From atop the promontory:
Ahoy! The headwind wakes.

Connections cleave–
backwind pushes us.
I cannot stop it.
I cannot step into it.

Clinging tendrils,
even unthought-of,
gulliver us
to the not-now.

Tripartite refuge limps
on weakened limbs.
Ever-widening eyes
Astigmatized.

luxuriant leprosy of the vegetable kingdom

Soon began the glorious days of autumn particularly unmistakable in the melancholy curve that the sun, already noticeable lower over the horizon, drew across the sky in whose calm expanses, as though constantly swept by a wonderfully pure wind, its golden trace seemed to linger like a magnificent ship’s wake, and hardly had it turned its course toward the horizon than the moon, as though suspended to the beam of a celestial balance, appeared against the blue light of day with the ghostly glow of an unexpected star, whose malignant influence would now, of itself alone, explain the sudden, strange, and half-metallic alterations of the leaves of the forest whose surprising red and yellow brilliance burst out everywhere with the irrepressible vigour, the fulminating contagion of a luxuriant leprosy of the vegetable kingdom.

Julien Gracq, The Castle of Argol (a most curious book, and one filled with what would become Gracq’s signature lush descriptions of Nature as a possibly supernatural force. In particular he seems to have a thing for forests…reading his forested prose turns hypnotic after a time. See also: A Balcony in the Forest.)

[Review here.]

virginia woolf’s summer madness

The only thing in this world is music–music and books and one or two pictures. I am going to found a colony where there shall be no marrying–unless you happen to fall in love with a symphony of Beethoven–no human element at all, except what comes through Art–nothing but ideal peace and endless meditation. The whole of human beings grows too complicated, my only wonder is that we don’t fill more madhouses: the insane view of life has much to be said for it–perhaps its the sane one after all: and we, the sad sober respectable citizens really rave every moment of our lives and deserve to be shut up perpetually. My spring melancholy is developing these hot days into summer madness.

Source: The Letters of Virginia Woolf Volume 1: 1888-1912 (from a letter dated April 23, 1901 to Emma Vaughan)

(thanks: lost fun zone)

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